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郭彥甫專訪 − Part.B
【藝術工作其實跟演藝工作的性質差不多，我只是換個舞台】
【旅行對我而言就是每一段觀察的過程】
【行李箱內有著藏不住的秘密！】
為何踏入藝術圈 ?
Ｑ：我們都知道您是演藝工作與藝術工作的雙棲角色，您可以跟我們聊聊當初為什麼會想踏入藝術工作圈呢?
Ａ：
大約五歲就開始學習繪畫，算一算也30多年了。我一直把這事當作寫日記一般的紀錄我的生活，無論開心、不開心的事情，從小我就習慣以繪畫來紀錄我的生活！在演藝圈流轉了一圈，直到了2013年，開始覺得我可以慢慢把從小培養的興趣跟大家分享。
行李箱與我的連結
Ｑ：在2017與2018的作品系列中，您覺得這其中最大的轉變是什麼? 而這個改變是什麼因素促成的呢?
Ａ：
藝人工作時常會帶著行李箱到處移動，在這之中最大的改變是，觀察到行李箱的任何可能性，可以陪伴你到天涯海角。
行李箱主題讓我看到了更多是帶來「陪伴」我的角色。
Ｑ：在您的創作生涯中，旅行帶給你最大的收穫是什麼? 您可以跟我們分享旅行這件事情對您創作與生活的啟發嗎?
Ａ：
旅行對我而言就是每一段觀察的過程。我享受一個人在咖啡廳裡，看著窗外的人來人往，
不同地區的人有不同的習慣、不同的生活節奏。這激發我創作時很多的靈感與思緒，是很開心、興奮的狀態。
我會花很多時間去完成作品所要呈現的一切氛圍、畫面、觀點、理由。
Ｑ：請問是什麼契機讓您開始想要關注每個人的行李箱裡面裝了什麼?
（ex每個人都有其存在的獨特性，每個人的人格中的獨特性帶來的衝突與妥協）
Ａ：
在主持外景節目長達8年時間，這期間其實很多時候挺辛苦的。
我們搭的飛機時段多是冷門的時段，在這時候我會觀察每一個人旅遊的狀態，與同伴之間的關係，相處的模樣等等⋯
非常耐人尋味！有時候狀態的呈現不是我們看到的表面，再繼續思考那行李箱裡面的狀態是什麼?
我發現它會呈現一種心理狀態反射出來的輪廓，一種藏不住的秘密！這秘密我們都有，我們也都在躲！
創作重要元素
Ｑ：您覺得藝術家/藝術工作者最需要何種觀察力? 有哪些要素呢?（對於人性觀察裡面必須要說明與闡述的點）
Ａ：
我覺得藝術家在創作上需要一個很重要的元素是─感受力。
人的一生中，會經歷家庭、工作、戀愛，與人的情感，公眾的模樣，理想的追求⋯⋯等等。
在看似平凡而瑣碎的生活中感受對生命的些許變化，強化也放大自己對於各個事件的觸覺與觀點。
Ｑ：您有最欣賞的藝術家或人嗎? 是誰呢? 可否跟我們敘述一下。
Ａ：
每一位藝術家都有值得我學習的優點。
未來規劃
Ｑ：可以跟我們聊聊目前在近期內您有什麼展覽的企劃? 或者是新的創作方向?
Ａ：
今年計畫會在上海展覽。目前還是會繼續以行李箱的主題繼續探索⋯⋯⋯會走去哪我先不透露！
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.B
[Art work is actually similar to the nature of performing arts work, I just change the stage]
[Travel is the process of every observation for me]
[There is a hidden secret in the suitcase! ]
Why did you step into the art world?
Q:We all know that you are an amphibious character in performing arts and art work. Can you talk to us about why you would like to step into the art work circle?
A:
I started to study painting when I was about five years old. It counted for more than 30 years. I have always regarded this as a record of my life in my daily life. No matter how happy or unhappy I am, I used to use painting to record my life. I spent a lap in the entertainment industry. Until 2013, I began to feel that I could slowly share my interest in growing up.
The link between me and the Luggage
Q:In the series of 2017 and 2018, what do you think is the biggest change? And what factors contributed to this change?
A:
Artists often move around with their suitcases. The biggest change in this is that you can observe any possibility of the suitcase and accompany you to the ends of the earth. The theme of the suitcase made me see more of the role of “accompanying” me.
Q:What is the biggest benefit of travel in your creative career? Can you share with us the inspiration for your creation and life?
A:
Travel is the process of observation for me. I enjoy a person in a coffee shop, watching people coming and going outside the window, people in different regions have different habits and different life rhythms. This inspired me to create a lot of inspiration and thoughts, and I was very happy and excited. I will spend a lot of time to complete all the atmosphere, pictures, opinions, and reasons that the work will present.
Q:What is the opportunity for you to start to pay attention to what is in everyone’s suitcase (ex everyone has its own uniqueness, conflict and compromise caused by the uniqueness of each person’s personality)
A:
I have been hosting the location program for 8 years. During this period, it was actually very hard. The time of the flight we take is mostly the unpopular time. At this time, I will observe the status of each individual’s travel, the relationship with the companions, the appearance of getting along, etc. It is very intriguing! Sometimes the state is not the surface we see, and then continue to think about the state inside the suitcase? I found that it would present a contour reflected by the state of mind, a secret that could not be hidden! We have this secret, we are all hiding!
Important elements of creating
Q:What kind of observation do you think artists/artists need most? What are the elements? (The point that must be explained and explained in the observation of human nature)
A:
I think that an important element of the artist’s creation is sensibility. In a person’s life, he will experience family, work, love, and human emotions, the appearance of the public, the pursuit of ideals, and so on. Feel a little change in life in a seemingly ordinary and trivial life, and strengthen and magnify your senses and opinions about each event.
Q:Do you have the most appreciated artist or person? Who is it? Can you tell us about it?
A:
Every artist has the merits worth learning.
Future plan
Q:Can you talk to us about the plans for your exhibition in the near future? Or is it a new creative direction?
A:
This year’s project will be exhibited in Shanghai. At present, I will continue to explore the theme of the suitcase.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
郭彥甫專訪 − Part.B
【藝術工作其實跟演藝工作的性質差不多，我只是換個舞台】
【旅行對我而言就是每一段觀察的過程】
【行李箱內有著藏不住的秘密！】
為何踏入藝術圈 ?
Ｑ：我們都知道您是演藝工作與藝術工作的雙棲角色，
您可以跟我們聊聊當初為什麼會想踏入藝術工作圈呢?
Ａ：
大約五歲就開始學習繪畫，算一算也30多年了。我一直把這事當作寫日記一般的紀錄我的生活，無論開心、不開心的事情，從小我就習慣以繪畫來紀錄我的生活！在演藝圈流轉了一圈，直到了2013年，開始覺得我可以慢慢把從小培養的興趣跟大家分享。
行李箱與我的連結
Ｑ：在2017與2018的作品系列中，您覺得這其中最大的轉變是什麼?
而這個改變是什麼因素促成的呢?
Ａ：
藝人工作時常會帶著行李箱到處移動，在這之中最大的改變是，
觀察到行李箱的任何可能性，可以陪伴你到天涯海角。
行李箱主題讓我看到了更多是帶來「陪伴」我的角色。
Ｑ：在您的創作生涯中，旅行帶給你最大的收穫是什麼?
您可以跟我們分享旅行這件事情對您創作與生活的啟發嗎?
Ａ：
旅行對我而言就是每一段觀察的過程。我享受一個人在咖啡廳裡，看著窗外的人來人往，不同地區的人有不同的習慣、不同的生活節奏。
這激發我創作時很多的靈感與思緒，是很開心、興奮的狀態。
我會花很多時間去完成作品所要呈現的一切氛圍、畫面、觀點、理由。
Ｑ：請問是什麼契機讓您開始想要關注每個人的行李箱裡面裝了什麼?
（ex每個人都有其存在的獨特性，每個人的人格中的獨特性帶來的衝突與妥協）
Ａ：
在主持外景節目長達8年時間，這期間其實很多時候挺辛苦的。
我們搭的飛機時段多是冷門的時段，在這時候我會觀察每一個人旅遊的狀態，與同伴之間的關係，相處的模樣等等⋯
非常耐人尋味！有時候狀態的呈現不是我們看到的表面，再繼續思考那行李箱裡面的狀態是什麼?
我發現它會呈現一種心理狀態反射出來的輪廓，一種藏不住的秘密！這秘密我們都有，我們也都在躲！
創作重要元素
Ｑ：您覺得藝術家/藝術工作者最需要何種觀察力? 有哪些要素呢?
（對於人性觀察裡面必須要說明與闡述的點）
Ａ：
我覺得藝術家在創作上需要一個很重要的元素是─感受力。
人的一生中，會經歷家庭、工作、戀愛，與人的情感，公眾的模樣，理想的追求⋯⋯等等。
在看似平凡而瑣碎的生活中感受對生命的些許變化，強化也放大自己對於各個事件的觸覺與觀點。
Ｑ：您有最欣賞的藝術家或人嗎? 是誰呢? 可否跟我們敘述一下。
Ａ：
每一位藝術家都有值得我學習的優點。
未來規劃
Ｑ：可以跟我們聊聊目前在近期內您有什麼展覽的企劃?
或者是新的創作方向?
Ａ：
今年計畫會在上海展覽。目前還是會繼續以行李箱的主題繼續探索⋯⋯⋯會走去哪我先不透露！
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.B
[Art work is actually similar to the nature of performing arts work, I just change the stage]
[Travel is the process of every observation for me]
[There is a hidden secret in the suitcase! ]
Why did you step into the art world?
Q:We all know that you are an amphibious character in performing arts and art work. Can you talk to us about why you would like to step into the art work circle?
A:
I started to study painting when I was about five years old. It counted for more than 30 years. I have always regarded this as a record of my life in my daily life. No matter how happy or unhappy I am, I used to use painting to record my life. I spent a lap in the entertainment industry. Until 2013, I began to feel that I could slowly share my interest in growing up.
The link between me and the Luggage
Q:In the series of 2017 and 2018, what do you think is the biggest change? And what factors contributed to this change?
A:
Artists often move around with their suitcases. The biggest change in this is that you can observe any possibility of the suitcase and accompany you to the ends of the earth. The theme of the suitcase made me see more of the role of “accompanying” me.
Q:What is the biggest benefit of travel in your creative career? Can you share with us the inspiration for your creation and life?
A:
Travel is the process of observation for me. I enjoy a person in a coffee shop, watching people coming and going outside the window, people in different regions have different habits and different life rhythms. This inspired me to create a lot of inspiration and thoughts, and I was very happy and excited. I will spend a lot of time to complete all the atmosphere, pictures, opinions, and reasons that the work will present.
Q:What is the opportunity for you to start to pay attention to what is in everyone’s suitcase (ex everyone has its own uniqueness, conflict and compromise caused by the uniqueness of each person’s personality)
A:
I have been hosting the location program for 8 years. During this period, it was actually very hard. The time of the flight we take is mostly the unpopular time. At this time, I will observe the status of each individual’s travel, the relationship with the companions, the appearance of getting along, etc. It is very intriguing! Sometimes the state is not the surface we see, and then continue to think about the state inside the suitcase? I found that it would present a contour reflected by the state of mind, a secret that could not be hidden! We have this secret, we are all hiding!
Important elements of creating
Q:What kind of observation do you think artists/artists need most? What are the elements? (The point that must be explained and explained in the observation of human nature)
A:
I think that an important element of the artist’s creation is sensibility. In a person’s life, he will experience family, work, love, and human emotions, the appearance of the public, the pursuit of ideals, and so on. Feel a little change in life in a seemingly ordinary and trivial life, and strengthen and magnify your senses and opinions about each event.
Q:Do you have the most appreciated artist or person? Who is it? Can you tell us about it?
A:
Every artist has the merits worth learning.
Future plan
Q:Can you talk to us about the plans for your exhibition in the near future? Or is it a new creative direction?
A:
This year’s project will be exhibited in Shanghai. At present, I will continue to explore the theme of the suitcase.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
郭彥甫專訪 − Part.B
【藝術工作其實跟演藝工作的性質差不多，我只是換個舞台】
【旅行對我而言就是每一段觀察的過程】
【行李箱內有著藏不住的秘密！】
為何踏入藝術圈 ?
Ｑ：我們都知道您是演藝工作與藝術工作的雙棲角色，您可以跟我們聊聊當初為什麼會想踏入藝術工作圈呢?
Ａ：
大約五歲就開始學習繪畫，算一算也30多年了。我一直把這事當作寫日記一般的紀錄我的生活，無論開心、不開心的事情，從小我就習慣以繪畫來紀錄我的生活！在演藝圈流轉了一圈，直到了2013年，開始覺得我可以慢慢把從小培養的興趣跟大家分享。
行李箱與我的連結
Ｑ：在2017與2018的作品系列中，您覺得這其中最大的轉變是什麼?
而這個改變是什麼因素促成的呢?
Ａ：
藝人工作時常會帶著行李箱到處移動，在這之中最大的改變是，觀察到行李箱的任何可能性，可以陪伴你到天涯海角。
行李箱主題讓我看到了更多是帶來「陪伴」我的角色。
Ｑ：在您的創作生涯中，旅行帶給你最大的收穫是什麼?
您可以跟我們分享旅行這件事情對您創作與生活的啟發嗎?
Ａ：
旅行對我而言就是每一段觀察的過程。我享受一個人在咖啡廳裡，看著窗外的人來人往，不同地區的人有不同的習慣、不同的生活節奏。
這激發我創作時很多的靈感與思緒，是很開心、興奮的狀態。
我會花很多時間去完成作品所要呈現的一切氛圍、畫面、觀點、理由。
Ｑ：請問是什麼契機讓您開始想要關注每個人的行李箱裡面裝了什麼?
（ex每個人都有其存在的獨特性，每個人的人格中的獨特性帶來的衝突與妥協）
Ａ：
在主持外景節目長達8年時間，這期間其實很多時候挺辛苦的。
我們搭的飛機時段多是冷門的時段，在這時候我會觀察每一個人旅遊的狀態，與同伴之間的關係，相處的模樣等等⋯
非常耐人尋味！有時候狀態的呈現不是我們看到的表面，再繼續思考那行李箱裡面的狀態是什麼?
我發現它會呈現一種心理狀態反射出來的輪廓，一種藏不住的秘密！這秘密我們都有，我們也都在躲！
創作重要元素
Ｑ：您覺得藝術家/藝術工作者最需要何種觀察力? 有哪些要素呢?
（對於人性觀察裡面必須要說明與闡述的點）
Ａ：
我覺得藝術家在創作上需要一個很重要的元素是─感受力。
人的一生中，會經歷家庭、工作、戀愛，與人的情感，公眾的模樣，理想的追求⋯⋯等等。
在看似平凡而瑣碎的生活中感受對生命的些許變化，強化也放大自己對於各個事件的觸覺與觀點。
Ｑ：您有最欣賞的藝術家或人嗎? 是誰呢? 可否跟我們敘述一下。
Ａ：
每一位藝術家都有值得我學習的優點。
未來規劃
Ｑ：可以跟我們聊聊目前在近期內您有什麼展覽的企劃?
或者是新的創作方向?
Ａ：
今年計畫會在上海展覽。目前還是會繼續以行李箱的主題繼續探索⋯⋯⋯會走去哪我先不透露！
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.B
[Art work is actually similar to the nature of performing arts work, I just change the stage]
[Travel is the process of every observation for me]
[There is a hidden secret in the suitcase! ]
Why did you step into the art world?
Q:We all know that you are an amphibious character in performing arts and art work. Can you talk to us about why you would like to step into the art work circle?
A:
I started to study painting when I was about five years old. It counted for more than 30 years. I have always regarded this as a record of my life in my daily life. No matter how happy or unhappy I am, I used to use painting to record my life. I spent a lap in the entertainment industry. Until 2013, I began to feel that I could slowly share my interest in growing up.
The link between me and the Luggage
Q:In the series of 2017 and 2018, what do you think is the biggest change? And what factors contributed to this change?
A:
Artists often move around with their suitcases. The biggest change in this is that you can observe any possibility of the suitcase and accompany you to the ends of the earth. The theme of the suitcase made me see more of the role of “accompanying” me.
Q:What is the biggest benefit of travel in your creative career? Can you share with us the inspiration for your creation and life?
A:
Travel is the process of observation for me. I enjoy a person in a coffee shop, watching people coming and going outside the window, people in different regions have different habits and different life rhythms. This inspired me to create a lot of inspiration and thoughts, and I was very happy and excited. I will spend a lot of time to complete all the atmosphere, pictures, opinions, and reasons that the work will present.
Q:What is the opportunity for you to start to pay attention to what is in everyone’s suitcase (ex everyone has its own uniqueness, conflict and compromise caused by the uniqueness of each person’s personality)
A:
I have been hosting the location program for 8 years. During this period, it was actually very hard. The time of the flight we take is mostly the unpopular time. At this time, I will observe the status of each individual’s travel, the relationship with the companions, the appearance of getting along, etc. It is very intriguing! Sometimes the state is not the surface we see, and then continue to think about the state inside the suitcase? I found that it would present a contour reflected by the state of mind, a secret that could not be hidden! We have this secret, we are all hiding!
Important elements of creating
Q:What kind of observation do you think artists/artists need most? What are the elements? (The point that must be explained and explained in the observation of human nature)
A:
I think that an important element of the artist’s creation is sensibility. In a person’s life, he will experience family, work, love, and human emotions, the appearance of the public, the pursuit of ideals, and so on. Feel a little change in life in a seemingly ordinary and trivial life, and strengthen and magnify your senses and opinions about each event.
Q:Do you have the most appreciated artist or person? Who is it? Can you tell us about it?
A:
Every artist has the merits worth learning.
Future plan
Q:Can you talk to us about the plans for your exhibition in the near future? Or is it a new creative direction?
A:
This year’s project will be exhibited in Shanghai. At present, I will continue to explore the theme of the suitcase.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
