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｜致力於藝術產業營運知識系統化。以科技典藏經典，讓展覽與藝術無遠弗屆｜
名人
專訪
名人
專訪
名人專訪
郭彥甫專訪 − Part.A
【基本上，每一個人的行李箱裡面裝的東西，重複的機率幾乎是零，幾乎沒有兩個人的行李箱裡面裝的東西是一模一樣的】
2006年進入演藝圈發了第一張唱片，2008年主持食尚玩家而開始用另一面讓觀眾認識的2moro成員之一，郭彥甫。除了唱歌、演戲、主持之外，你不知道的郭彥甫另一面，一直保有一個繪畫創作的習慣。從小就學習繪畫的他，走進演藝圈，卻從沒放棄對於藝術創作的熱愛。
行李箱承載著每個人對於旅程不同的想像
我們幾乎每個人都有旅行的經驗，在機場或者車站的時候，你曾經想過你的行李箱裡面裝的東西跟別人是不是一樣呢 ? 你也曾經觀察過人來人往的行李箱，是否裝載了每個人不一樣的過去、現在與將來 ? 在每一停靠站跟每一個國家之間你遺漏了什麼 ? 你又得到了什麼 ? Livart 這一次特別企劃從藝術家郭彥甫的角度來看我們看似平常的行李箱，帶來給我們對人生應該有什麼樣的思考方式；如果你是過客，應該行李箱裝什麼樣的東西 ? 如果你是學生，商人，或者是教授，那行李箱裡面裝的是滿滿的回憶 ? 還是滿滿的遺憾 ? 這些希望能夠藉由藝術家的作品跟妙筆，呈現出人們對自己生活方式的思考與對自我性格的反省。
2017．找尋誰的旅行箱 ?
【我用行李箱來闡述人性】
我用行李箱來闡述人性，在這個時刻人的狀態有開心、忐忑、釋然、激動、期待、想像、壓力⋯⋯⋯等等的狀態。不同職業、年齡、經驗將會發生不同的面貌及世俗中無奈的階級層面；而我、我們、你、你們屬於哪一種呢 ? 幾年下來累計的演藝經驗來闡述不想被輕易打擾的行李箱狀態；具有人性探討、沈靜的空間！也有自我反省的用意；用行李箱看看自己再反觀有沒有周遭朋友們的樣子，他是讓你討厭、喜歡、怨恨、欣賞的還是它其實就是你正在逃避不肯面對的人生 ? 或我們討厭的其實是自己 ? 所以投射於對方 ?
2018．去旅行的箱子(去回家)
【旅行是為了回家】
2017年的「找尋誰的行李箱」系列，以俯視映照鏡子的方式，讓觀賞者透過鏡像找尋自己最熟悉的行李箱模樣，也試著找尋自己慾望的模樣！⋯ 好比對生活中物件的品味執著或是不拘泥於小節的雜亂，或是特別愛蒐集某種紀念品。這次我透過行李箱探索人內心躲藏不了的真實而赤裸狀態，讓行李箱們關起來、動起來、走起來、去旅行，也⋯回到所謂的「家」。我認為行李箱不但赤裸的呈現人性內心面外，也多了物件與要出門的風景。回家，像是讓內心穩定的一個空間感與歸屬感，人們追求的往往是心裡的那一股安全感，是金錢，也是情感，更是屬於小時候生活經驗中給予的那一股被溫暖與被保護的安全感。因此在生活的軌跡上無形中形成一個「迴」的狀態，一直迴蕩、一直反覆、來來往往的「迴家」狀態。
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.A
[Basically, the odds of repeating things in each person’s trunk are almost zero, and almost no two people’s suitcases contain exactly the same things.]
In 2006, he entered the performing arts circle and released his first album. In 2008, he hosted the food player and began to use one of the other 2moro members to let the audience know, Kuo Yen Fu. In addition to singing, acting, and hosting, Kuo Yen Fu, who you don’t know, has always maintained a habit of painting. He studied painting from an early age and walked into the entertainment industry, but never gave up his love for artistic creation.
The suitcase carries the imagination of each person for the journey.
Almost everyone has experience in traveling. At the airport or at the station, have you ever thought that the contents of your suitcase are the same as others? Have you ever observed the suitcases where people come and go, is it loaded with a different past, present and future? What have you missed between each stop and each country? What did you get again? Livart’s special plan from the perspective of artist Kuo Yen Fu, our seemingly ordinary suitcase, brings us what kind of thinking we should have in life; if you are a passenger, what kind of things should you put in the suitcase? If you are Student, businessman, or professor, is the suitcase full of memories? Still full of regrets? These hopes can show people’s thinking about their own way of life and reflection on their own personality through the artist’s works and wonderful pens.
Who is looking for a suitcase in 2017?
[I use the suitcase to explain human nature]
I use the suitcase to explain human nature. At this moment, the state of the person is happy, embarrassing, relieved, excited, expecting, imagining, stressful, and so on. Different professions, ages, experiences will have different appearances and helpless class levels in the world; and I, we, you, which one do you belong to? The accumulated performing arts experience over the years to illustrate the state of the suitcase that you do not want to be easily disturbed; Have a humanity discussion, ! The quiet space also has the purpose of self-reflection; use the suitcase to look at yourself and see if there are any friends around you. He makes you hate, like, resent, appreciate, or it is actually the life you are avoiding. ? Or what we hate is actually ourselves? So projected on the other side?
Travel box in 2018
[Travel is to go home]
In 2017, the “Looking for a suitcase” series, in a bird’s-eye view of the mirror, allows viewers to look through the mirror to find the most familiar suitcase, and try to find their own desires! It’s better to be obsessed with the taste of objects in life or not to stick to the mess of the festival, or to collect some souvenirs. This time, I explored the real and naked state that people could not hide in the suitcase, let the suitcases lock up, move, walk up, travel, and return to the so-called “home.” I think that the suitcase is not only naked and human, but also has objects and scenery to go out. Going home is like a sense of space and belonging that makes the heart stable. People often pursue the sense of security in the heart. It is money and emotion. It is also the warmth that is given in the life experience of childhood. Protected security. Therefore, in the trajectory of life, a state of “return” is formed invisibly, and it has been reverberating, and it has been repeated, coming and going.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
郭彥甫專訪 − Part.A
【基本上，每一個人的行李箱裡面裝的東西，重複的機率幾乎是零，幾乎沒有兩個人的行李箱裡面裝的東西是一模一樣的】
2006年進入演藝圈發了第一張唱片，2008年主持食尚玩家而開始用另一面讓觀眾認識的2moro成員之一，郭彥甫。除了唱歌、演戲、主持之外，你不知道的郭彥甫另一面，一直保有一個繪畫創作的習慣。從小就學習繪畫的他，走進演藝圈，卻從沒放棄對於藝術創作的熱愛。
行李箱承載著每個人對於旅程不同的想像
我們幾乎每個人都有旅行的經驗，在機場或者車站的時候，你曾經想過你的行李箱裡面裝的東西跟別人是不是一樣呢 ? 你也曾經觀察過人來人往的行李箱，是否裝載了每個人不一樣的過去、現在與將來 ? 在每一停靠站跟每一個國家之間你遺漏了什麼 ? 你又得到了什麼 ? Livart 這一次特別企劃從藝術家郭彥甫的角度來看我們看似平常的行李箱，帶來給我們對人生應該有什麼樣的思考方式；如果你是過客，應該行李箱裝什麼樣的東西 ? 如果你是學生，商人，或者是教授，那行李箱裡面裝的是滿滿的回憶 ? 還是滿滿的遺憾 ? 這些希望能夠藉由藝術家的作品跟妙筆，呈現出人們對自己生活方式的思考與對自我性格的反省。
2017．找尋誰的旅行箱 ?
【我用行李箱來闡述人性】
我用行李箱來闡述人性，在這個時刻人的狀態有開心、忐忑、釋然、激動、期待、想像、壓力⋯⋯⋯等等的狀態。不同職業、年齡、經驗將會發生不同的面貌及世俗中無奈的階級層面；而我、我們、你、你們屬於哪一種呢 ? 幾年下來累計的演藝經驗來闡述不想被輕易打擾的行李箱狀態；具有人性探討、沈靜的空間！也有自我反省的用意；用行李箱看看自己再反觀有沒有周遭朋友們的樣子，他是讓你討厭、喜歡、怨恨、欣賞的還是它其實就是你正在逃避不肯面對的人生 ? 或我們討厭的其實是自己 ? 所以投射於對方 ?
2018．去旅行的箱子(去回家)
【旅行是為了回家】
2017年的「找尋誰的行李箱」系列，以俯視映照鏡子的方式，讓觀賞者透過鏡像找尋自己最熟悉的行李箱模樣，也試著找尋自己慾望的模樣！⋯ 好比對生活中物件的品味執著或是不拘泥於小節的雜亂，或是特別愛蒐集某種紀念品。這次我透過行李箱探索人內心躲藏不了的真實而赤裸狀態，讓行李箱們關起來、動起來、走起來、去旅行，也⋯回到所謂的「家」。我認為行李箱不但赤裸的呈現人性內心面外，也多了物件與要出門的風景。回家，像是讓內心穩定的一個空間感與歸屬感，人們追求的往往是心裡的那一股安全感，是金錢，也是情感，更是屬於小時候生活經驗中給予的那一股被溫暖與被保護的安全感。因此在生活的軌跡上無形中形成一個「迴」的狀態，一直迴蕩、一直反覆、來來往往的「迴家」狀態。
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.A
[Basically, the odds of repeating things in each person’s trunk are almost zero, and almost no two people’s suitcases contain exactly the same things.]
In 2006, he entered the performing arts circle and released his first album. In 2008, he hosted the food player and began to use one of the other 2moro members to let the audience know, Kuo Yen Fu. In addition to singing, acting, and hosting, Kuo Yen Fu, who you don’t know, has always maintained a habit of painting. He studied painting from an early age and walked into the entertainment industry, but never gave up his love for artistic creation.
The suitcase carries the imagination of each person for the journey.
Almost everyone has experience in traveling. At the airport or at the station, have you ever thought that the contents of your suitcase are the same as others? Have you ever observed the suitcases where people come and go, is it loaded with a different past, present and future? What have you missed between each stop and each country? What did you get again? Livart’s special plan from the perspective of artist Kuo Yen Fu, our seemingly ordinary suitcase, brings us what kind of thinking we should have in life; if you are a passenger, what kind of things should you put in the suitcase? If you are Student, businessman, or professor, is the suitcase full of memories? Still full of regrets? These hopes can show people’s thinking about their own way of life and reflection on their own personality through the artist’s works and wonderful pens.
Who is looking for a suitcase in 2017 ?
[I use the suitcase to explain human nature]
I use the suitcase to explain human nature. At this moment, the state of the person is happy, embarrassing, relieved, excited, expecting, imagining, stressful, and so on. Different professions, ages, experiences will have different appearances and helpless class levels in the world; and I, we, you, which one do you belong to? The accumulated performing arts experience over the years to illustrate the state of the suitcase that you do not want to be easily disturbed; Have a humanity discussion, ! The quiet space also has the purpose of self-reflection; use the suitcase to look at yourself and see if there are any friends around you. He makes you hate, like, resent, appreciate, or it is actually the life you are avoiding. ? Or what we hate is actually ourselves? So projected on the other side?
Travel box in 2018
[Travel is to go home]
In 2017, the “Looking for a suitcase” series, in a bird’s-eye view of the mirror, allows viewers to look through the mirror to find the most familiar suitcase, and try to find their own desires! It’s better to be obsessed with the taste of objects in life or not to stick to the mess of the festival, or to collect some souvenirs. This time, I explored the real and naked state that people could not hide in the suitcase, let the suitcases lock up, move, walk up, travel, and return to the so-called “home.” I think that the suitcase is not only naked and human, but also has objects and scenery to go out. Going home is like a sense of space and belonging that makes the heart stable. People often pursue the sense of security in the heart. It is money and emotion. It is also the warmth that is given in the life experience of childhood. Protected security. Therefore, in the trajectory of life, a state of “return” is formed invisibly, and it has been reverberating, and it has been repeated, coming and going.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
郭彥甫專訪 − Part.A
【基本上，每一個人的行李箱裡面裝的東西，重複的機率幾乎是零，幾乎沒有兩個人的行李箱裡面裝的東西是一模一樣的】
2006年進入演藝圈發了第一張唱片，2008年主持食尚玩家而開始用另一面讓觀眾認識的2moro成員之一，郭彥甫。除了唱歌、演戲、主持之外，你不知道的郭彥甫另一面，一直保有一個繪畫創作的習慣。從小就學習繪畫的他，走進演藝圈，卻從沒放棄對於藝術創作的熱愛。
行李箱承載著每個人對於旅程不同的想像
我們幾乎每個人都有旅行的經驗，在機場或者車站的時候，你曾經想過你的行李箱裡面裝的東西跟別人是不是一樣呢 ? 你也曾經觀察過人來人往的行李箱，是否裝載了每個人不一樣的過去、現在與將來 ? 在每一停靠站跟每一個國家之間你遺漏了什麼 ? 你又得到了什麼 ? Livart 這一次特別企劃從藝術家郭彥甫的角度來看我們看似平常的行李箱，帶來給我們對人生應該有什麼樣的思考方式；如果你是過客，應該行李箱裝什麼樣的東西 ? 如果你是學生，商人，或者是教授，那行李箱裡面裝的是滿滿的回憶 ? 還是滿滿的遺憾 ? 這些希望能夠藉由藝術家的作品跟妙筆，呈現出人們對自己生活方式的思考與對自我性格的反省。
2017．找尋誰的旅行箱 ?
【我用行李箱來闡述人性】
我用行李箱來闡述人性，在這個時刻人的狀態有開心、忐忑、釋然、激動、期待、想像、壓力⋯⋯⋯等等的狀態。不同職業、年齡、經驗將會發生不同的面貌及世俗中無奈的階級層面；而我、我們、你、你們屬於哪一種呢 ? 幾年下來累計的演藝經驗來闡述不想被輕易打擾的行李箱狀態；具有人性探討、沈靜的空間！也有自我反省的用意；用行李箱看看自己再反觀有沒有周遭朋友們的樣子，他是讓你討厭、喜歡、怨恨、欣賞的還是它其實就是你正在逃避不肯面對的人生 ? 或我們討厭的其實是自己 ? 所以投射於對方 ?
2018．去旅行的箱子(去回家)
【旅行是為了回家】
2017年的「找尋誰的行李箱」系列，以俯視映照鏡子的方式，讓觀賞者透過鏡像找尋自己最熟悉的行李箱模樣，也試著找尋自己慾望的模樣！⋯ 好比對生活中物件的品味執著或是不拘泥於小節的雜亂，或是特別愛蒐集某種紀念品。這次我透過行李箱探索人內心躲藏不了的真實而赤裸狀態，讓行李箱們關起來、動起來、走起來、去旅行，也⋯回到所謂的「家」。我認為行李箱不但赤裸的呈現人性內心面外，也多了物件與要出門的風景。回家，像是讓內心穩定的一個空間感與歸屬感，人們追求的往往是心裡的那一股安全感，是金錢，也是情感，更是屬於小時候生活經驗中給予的那一股被溫暖與被保護的安全感。因此在生活的軌跡上無形中形成一個「迴」的狀態，一直迴蕩、一直反覆、來來往往的「迴家」狀態。
以上訪談內容由郭彥甫與LIVART責任編輯共同製作，內容均經過郭彥甫藝術家本人同意刊登在LIVART粉絲專頁，如需轉載請註明出處。
Interview with Kuo Yen Fu – Part.A
[Basically, the odds of repeating things in each person’s trunk are almost zero, and almost no two people’s suitcases contain exactly the same things.]
In 2006, he entered the performing arts circle and released his first album. In 2008, he hosted the food player and began to use one of the other 2moro members to let the audience know, Kuo Yen Fu. In addition to singing, acting, and hosting, Kuo Yen Fu, who you don’t know, has always maintained a habit of painting. He studied painting from an early age and walked into the entertainment industry, but never gave up his love for artistic creation.
The suitcase carries the imagination of each person for the journey.
Almost everyone has experience in traveling. At the airport or at the station, have you ever thought that the contents of your suitcase are the same as others? Have you ever observed the suitcases where people come and go, is it loaded with a different past, present and future? What have you missed between each stop and each country? What did you get again? Livart’s special plan from the perspective of artist Kuo Yen Fu, our seemingly ordinary suitcase, brings us what kind of thinking we should have in life; if you are a passenger, what kind of things should you put in the suitcase? If you are Student, businessman, or professor, is the suitcase full of memories? Still full of regrets? These hopes can show people’s thinking about their own way of life and reflection on their own personality through the artist’s works and wonderful pens.
Who is looking for a suitcase in 2017?
[I use the suitcase to explain human nature]
I use the suitcase to explain human nature. At this moment, the state of the person is happy, embarrassing, relieved, excited, expecting, imagining, stressful, and so on. Different professions, ages, experiences will have different appearances and helpless class levels in the world; and I, we, you, which one do you belong to? The accumulated performing arts experience over the years to illustrate the state of the suitcase that you do not want to be easily disturbed; Have a humanity discussion, ! The quiet space also has the purpose of self-reflection; use the suitcase to look at yourself and see if there are any friends around you. He makes you hate, like, resent, appreciate, or it is actually the life you are avoiding. ? Or what we hate is actually ourselves? So projected on the other side?
Travel box in 2018
[Travel is to go home]
In 2017, the “Looking for a suitcase” series, in a bird’s-eye view of the mirror, allows viewers to look through the mirror to find the most familiar suitcase, and try to find their own desires! It’s better to be obsessed with the taste of objects in life or not to stick to the mess of the festival, or to collect some souvenirs. This time, I explored the real and naked state that people could not hide in the suitcase, let the suitcases lock up, move, walk up, travel, and return to the so-called “home.” I think that the suitcase is not only naked and human, but also has objects and scenery to go out. Going home is like a sense of space and belonging that makes the heart stable. People often pursue the sense of security in the heart. It is money and emotion. It is also the warmth that is given in the life experience of childhood. Protected security. Therefore, in the trajectory of life, a state of “return” is formed invisibly, and it has been reverberating, and it has been repeated, coming and going.
The above interviews were produced by Kuo Yen Fu and LIVART’s editor. If you need to reprint, please indicate the source.
